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Chic Critique is THE elite magazine, community, & resource for women who love photography (yes, we’re biased!)
Our mission: critique | confidence | community
Get your CHIC on with our Celebrity Photographers who inspire, teach, and critique to help increase confidence and improve your images!

EYE CANDY | BEN SASSO

Today’s EYE CANDY comes from the amazing Ben Sasso!  He is a wedding and lifestyle photographer based out of Los Angeles, and the emotion that he draws from his clients is stunning.   Very emotional, candid and fun!

A little bit about Ben:

“I am a photographer and educator living in Los Angeles, California. Aside from taking pictures, I love to be in nature (camping, climbing, running around), I have an unmanly love for cats, and above all else, I am a husband. I am a firm believer in fostering a close knit photo community and encouraging individual progression. We are all in this together.”

Enjoy his work and let us know what you think!

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Thank you so much Ben for sharing these amazing photos and don’t forget to check out his site!
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Ben Sasso

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LAST CHANCE | MARCH CRITIQUES

Check out this amazing line up for February!    These critiques begin on MARCH 3rd!
 

Stephanie Piscatelli |  Bellini Portraits

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Click HERE for Stephanie’s 4-week Critique

Active Seats are SOLD OUT!  Only 9 Chic Peek spots left!

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Michelle Huesgen | Untamed Heart Photography

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Click HERE for Michelle’s 4-week Critique

Only 10 spots left!

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Brooke Davis | Blush Photography

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Click HERE for Brooke’s 4-week Critique

Only 9 spots left!

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Jackie Jean | Jackie Jean Photography

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Click  HERE for Jackie’s 4-week Critique

Only 9 Spots Left!

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Have your images critiqued by your favorite photographer and breathe new life into your pictures!

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TIPS FOR TACK SHARP FOCUS | TEACHING TUESDAY

Guest Editor: Brittney Kluse from brittneykluse.com

Finding focus: 11 tips for tack sharp focus on every shot

I wish I could open this article by revealing the ONE super-secret photography tip that would enable you to change your camera settings and never have a blurry photo again. I also wish that pots of gold at the ends of rainbows existed. However, neither situation is truthful. The fact of the matter is, it’s important to realize it isn’t just ONE tip or trick that enables perfect sharpness on images. Instead, it’s a combination of camera and lens settings along with photography and photographer knowledge and experience that enables picture-perfect images.

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With relation to photography, the term “tack sharp” describes an image which shows the main subject sharply in focus – with clean lines, crisp details – countered by the artistic blurring (e.g.: bokeh) in the background. Achieving this level of sharpness is one of the keys to a truly eye-catching and professional image.
Perhaps the first thing you’re wondering is, “why in the heck am I getting blurry images?” Figuring out what you’re doing incorrectly is half the battle in correcting it! The three main factors that can influence blurry photos are:
*Camera shake
*Your subject moved too fast for your camera/lens settings
*You focused in the wrong spot

So, now that you have a good idea where that blurry photo came from, the next step is applying new settings and logic to ensure it doesn’t happen again! Taking a tack-sharp image is all about reducing camera shake and extra “noise” in the image. There are several different ways you can do this. The more of these methods you can learn to incorporate into your “shooting workflow” the sharper you images will be!

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Get the Good Glass. One of the best pieces of advice I received early on was, “The lens TAKES the photo, the camera RECORDS it.” This does not mean put the most expensive camera lens on the most juvenile of camera bodies and that’s how you get great images. If that were the case, why would Hasselblad camera bodies exist? [side note: If you don’t know Hasselblad, go Google that now!] Sink your money into great lenses and update your camera body when you can. In the perfect lighting conditions and camera/lens settings, I can nearly replicate a tack sharp image taken with an entry-level Canon Rebel XL with a 50mm f/1.4 lens as I can take with my Nikon D800 using the same lens. Will I be able to blow the image up as large? No. Will it have the same pixel resolution? No. But, will it share the same sharpness and focus? YES. And when you’re getting your business going … sharpness and professionalism is what sells photos, not what necessarily can be enlarged to a 30×40 print.

How Low Can You Go? The higher your ISO speed, the more digital noise you’ll get in your photo. This causes sharp details to appear fuzzy, affecting the overall sharpness of the image. Wherever possible, use your camera’s lowest ISO setting – typically around ISO 100-400 depending on your location and light.

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The Right Light. Light is going to be a huge influence on achieving tack sharp images. Are you trying to take a photo in a cave at 10:00pm or outside on the beach at noon? Neither is right or wrong, but light will be a primary factor in your settings. Make sure that there is enough natural light (aka: the sun) or artificial light (aka: on/off-camera flashes, soft boxes, etc.) on your subject. My favorite time to shoot is during the golden hour so I get that beautiful rim lighting on my subject! [www.golden-hour.com]

Double Up. A rule of thumb I use for gauging shutter speed to ensure tack sharp photos is never shooting below TWICE the longest millimeter of the lens I am using. Say WHAT?! Ok, let’s back up. Pretend you are using a 50mm f/1.4 lens. This means I would NEVER shoot less than 1/100th of a second shutter speed when shooting in Manual. If I had on my 85mm f/1.4 lens, I wouldn’t shoot less than 1/200th of a second. Doubling 85 gets me to 170, because there isn’t a 1/170th of a second for shutter speed, I would bump UP and shoot no less than 1/200th of a second.

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The F Stops Here. A “stop” is related to aperture and is the difference between one f-number (ex: f/1.8) and the next f-number in the sequence (ex: f/2.0). Lenses today use a standard f-stop scale based on the square root of 2. Ex: f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, and so on. The more wide open you shoot (ex: f/2) the sharper your focus area becomes and the more blur/bokeh you have in the background – however, the more spot on you need to be to ensure there is no camera shake or you mis-focused. The more closed down you set your aperture (ex: f/8) the more things you have in focus in the image and you have a little more wiggle room with your focus range.

The “Sweet Spot.” This is a common phrase among photographers. When I was starting out, I literally thought this referred to an amazing shooting location somewhere. WRONG! Here’s what it REALLY means! All lenses have an aperture setting, or range, that is called a “sweet spot” for sharpness. Each lens is different, but as a general rule of thumb, the sharpest images are taken with the aperture about two f/stops down from the widest opening. So, if your camera has a lens which is wide open at f/1.4, your sweet spot could be around f/1.8 or f/2.0.

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Millimeters vs Eyes. A normal lens is considered: 50-55mm and in conjunction with what the human eye sees, this also means no distortion in the lens! Less than 50mm = a wide-angle lens (small focal length with a wide angle of view). More than 55mm = a telephoto lens (long focal length with a narrow angle of view). The wider the lens, the more light it brings into the camera and the more room you have to play with shutter speed. If you are using a telephoto lens, you may need to have a lot of light or a high ISO to enable the shutter speed necessary for capturing tack sharp images!

Are you Single? When focusing, most cameras will try to keep as much of the photo acceptably sharp as possible. This is fine when you want to see detail everywhere, but it does mean that no one object will be super sharp. Switch your camera into single point focus mode. This tells your camera to focus sharply on just one point. Before composing your shot, focus by aiming this point at your subject (preferably on the subject’s eye closes to the camera) and half-pressing the shutter button. This will keep your subject as sharp as possible.

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Lean On Me. I make myself into a human tripod when I am photographing my peeps. Do I look a little crazy and awkward? Yes. Do their photos turn out super sharp? Yes. Is it worth it to look a little crazy? HECK YEAH! Essentially you want bring your center of gravity as close as it can go to the center of your body. Using my elbows, I tuck them tightly into my stomach and get into a somewhat crouching position. This locks my elbows into my stomach causing less movement on the camera. Then right before I take my shot … I hold my breath! Seems a little silly, but it’s a trick I picked up from a mentoring session during my photography journey and it has helped me immensely in capturing tack sharp images.

Check It Out. One of the great advantages of digital over film is that you can examine your photos immediately. After taking your shot, use your camera’s playback feature and zoom in and check out sharpness. Zoom STRAIGHT for the eyes and take a look … are BOTH equally in focus? If not, DELETE and reshoot. Why delete? Well, that’s just more culling time in the end. And remember, time = money. So if you’re just going to delete it anyway, why not now?

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Unsharpen To Sharpen.  What’s this you say? I must use an UNSHARPEN tool in Photoshop to SHARPEN my photo? Yeah. This concept was lost on me too. Let’s chalk this one up to gravity. We don’t need to understand the scientific mechanics behind Newton’s Universal Gravity Theory, but we can all agree that if we drop an apple, that sucker is falling to the ground right? So trust me on this. When I say UNsharpen to SHARPEN, just do it. (see attached image for this)

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Brittney_Kluse_155_px_x_210_h Brittney Kluse is a stylized lifestyle portrait photographer specializing in natural light photography that brings out the fresh, fun, and colorful side of life. Brittney’s contemporary and candid style mixed with her signature bold and colorful imagery, set her apart in the industry. She has published articles and interviews in numerous blogs and magazines and is frequently sought out for online or in-person mentoring from photographers around the country.

Brittney Kluse Photography / Facebook

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